Paris has romance and New York has the skyline. Hong Kong has heartache, mystery — and Bruce Lee, Jackie Chan and a wealth of stylised, site-specific, vastly influential action and crime movies. Film-industry history and real life both played a role in that. A longtime liking for martial arts crowd-pleasers among the city’s producers was turbocharged by Lee — until, in the 1980s, spikes in the crime rate inspired local film-makers to make underworld thrillers that outdid Hollywood.
巴黎擁有浪漫，紐約擁有天際線。而香港擁有的則是悲傷、神祕——還有李小龍、成龍以及大量風格化、因地制宜且影響深遠的動作片和犯罪片。電影工業的歷史以及現實的生活都在其中發揮著作用。長期以來，這座城市裏的製片人們一向鍾愛能取悅觀衆的功夫電影，而李小龍的出現更是讓這種熱情進一步強化——這股熱潮一直持續到了20世紀80年代，當時犯罪率的急升，又促使本地電影人著手製作出超越好萊塢的黑幫驚悚片。
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