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Television is preparing to loosen up

Forty years ago, when Janet Yellen, chairwoman of the US Federal Reserve, was an economist at Harvard University, she was interested in the film Five Easy Pieces. She noted the scene in which a diner waitress refuses to bring Jack Nicholson’s character an omelette with coffee and wheat toast because it serves omelettes with cottage fries and rolls. “I know what it comes with, but it’s not what I want,” he retorts.

The lesson that Ms Yellen and her co-author drew in a study of the economics of bundling was that it repays a restaurant to offer its customers an à la carte option alongside items on the set menu. Most people will be happy to choose from a fixed list, with lower prices, but “the à la carte menu is designed to capture consumer surplus from those gastronomes with extremely high valuations of particular dishes”.

For Nicholson’s restless young oil-rig worker in Five Easy Pieces, read a generation of rebellious millennials who have been angry at being forced to buy a cable subscription to watch Game of Thrones and True Detective on the HBO network. All they want are those shows, they protest, not the entire package.

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約翰•加普

約翰·加普(John Gapper)是英國《金融時報》副主編、首席產業評論員。他的專欄每週四會出現在英國《金融時報》的評論版。加普從1987年開始就在英國《金融時報》工作,報導勞資關係、銀行和媒體。他曾經寫過一本書,叫做《閃閃發亮的騙局》(All That Glitters),講的是霸菱銀行1995年倒閉的內幕。

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