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Why we still care about Kafka

100 years after the writer’s death, what do his uncensored diaries, and a raft of new studies, reveal about what made him and his relevance in our digital age?
‘Franz Kafka’ (1980) by Andy Warhol, from the series ‘Ten Portraits of Jews of the Twentieth Century’ 

One hundred years ago, Franz Kafka died — not that he ever liked being here among the living. He raced to an early death, aged 40, having spent all his life kvetching about it or escaping from it into the phantasmagoria of his fiction.

For a writer of such morbidity, it’s fitting to commemorate not a birthday, but a death anniversary, as we do with Christian martyrs. Other writers, such as Shakespeare, we can imagine wearing a party hat, cutting a cake. Not Kafka. His monumental diaries record no birthday celebrations. Not one.

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