中國電影

A Chinese filmmakers’ playbook: data analysis and diplomacy

Huanxi Media must navigate censorship as well as the challenges of the streaming era

As China was preparing for the lunar New Year holiday in January, Steven Xiang, the chief executive of Huanxi Media, was readying what was expected to be one of the blockbuster productions of the year.

The Hong Kong-listed Chinese film-maker had received Rmb600m from distributors who planned to release feel-good comedy Lost in Russia in many of the 80,000 cinemas across the mainland on January 25, at the height of the national break, and was expecting to receive much more in ticket sales.

But just hours before the film’s planned debut Mr Xiang was forced to swiftly change tack when the authorities began implementing lockdown measures around Wuhan, the city at the heart of the outbreak and China’s seventh largest, in the face of the Covid-19 virus.

您已閱讀10%(755字),剩餘90%(6558字)包含更多重要資訊,訂閱以繼續探索完整內容,並享受更多專屬服務。
版權聲明:本文版權歸FT中文網所有,未經允許任何單位或個人不得轉載,複製或以任何其他方式使用本文全部或部分,侵權必究。
設置字型大小×
最小
較小
默認
較大
最大
分享×