The creator economy was supposed to supplant traditional media and entertainment business models. Instead of being hired to work for a company, writers, comedians, filmmakers and other creators of content could go straight to their audience, charging a subscription for access to their work. Platforms facilitated publishing and payments and took a cut of income in return. Patreon, Substack, Cameo and OnlyFans carved out their own niche.
創作者經濟本應取代傳統媒體和娛樂商業模式。作家、喜劇演員、電影製片人和其他內容創作者可以直接面對他們的觀衆，收取訂閱費，而不是被僱傭爲公司工作。平臺促進了出版和支付，並從收入中抽成。Patreon、Substack、Cameo和OnlyFans開闢了自己的細分市場。
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